"Trethewey carries forward the lyric musings on black women's lives that she began in her arresting debut, Domestic Work (2000). Photographs served as inspiration there; here Trethewey fashions a one-woman monologue in response to a famous series of early-twentieth-century photographs taken by E.J. Bellocq in Storyville, New Orleans' red-light district. Portraits of an unnamed light-skinned black woman who stares into the lens with assured defiance galvanized Trethewey, who dubs her Ophelia and allows her to speak. As Ophelia writes eloquently restrained and resolute letters to a favorite teacher and tells the heartbreaking story of her failed search for respectable employment and her rescue from hunger and homelessness by a kind and patient madame, Trethewey creates a persona who belies the implied tragedy of her name by focusing her keen intellect on survival and, ultimately, taking control of the camera and her life. Like Cornelius Eady's Brutal Imagination and Adrienne Rich's lean but commanding poems, Trethewey's spare yet plangent verse portrait illuminates a soul ennobled in her quiet battle with injustice." --Booklist