top of page

SANKOFA TV

NOW STREAMING

40+ Years of

MYPHEDUH FILMS

Independent Black Filmmaking

Mypheduh Films was established in 1982 by Shirikiana, Haile, and sister Selome Gerima, in the basement of their home in Washington, DC, with the aim of having control over the distribution of their films.The Gerima couple have been producing films since the early 70’s when Haile Gerima completed BUSH MAMA and HARVEST 3000 YEARS as a graduate student at UCLA. These films, along with others by the Gerimas, are now available for streaming for the first time, marking a significant milestone in the history of the company.

Watch Now

Vissi_Black_family_wathing_black_and_white_film_on_a_projecto_69ffc9cb-e3eb-40a3-8c77-cf39

SAVE WITH A PASS

Best Value

Mypheduh Pass

$30

30

Stream the entire film collection by the Gerimas on Sankofa TV

Valid for one week

NOW STREAMING

For private screening only. For institutional and public screenings contact us here.

Wilmington 10 - U.S.A. 10,000
01:59:56
Footprints of Pan Africanism
01:16:05
Bush Mama
01:37:39
Ashes And Embers
02:09:20
Through The Door Of No Return
01:18:15
Screen-Shot-2020-04-07-at-3.26.51-AM.jpg

Sankofa the movie

Now Streaming on Netflix

Dr. Carr - Intro to Afro American Studies FQ4-4
02:40:11
Dr. Carr - Intro to Afro American Studies FQ4-3
02:37:34
Dr. Carr - Intro to Afro American Studies FQ4-2
01:17:49
Dr. Carr - Intro to Afro American Studies FQ4-1
01:12:01

MISSED A LIVE EVENT?

Catch the replay at Sankofa TV

FILM DISCUSSION: THROUGH THE DOOR OF NO RETURN
01:22:43
Film Discussion- THROUGH THE DOOR OF NO RETURN (1997)
03:23
Book Talk - Soul Searcher: Life and Legacy of Chuck Brown
01:35:56
Activist Archiving: Preserving Our Garden For Future Generations with Zakiya Collier
01:31:18
Bush Mama - Film Discussion With Film Maker, Haile Gerima
01:10:26
Bush Mama: Film Discussion
04:43
Post Screening Discussion - The Most Beautiful Deaths in the World
09:22
Creative Expression: Afrodiasporic Memories of Black Women
02:04:58
Afrodiasporic Voices: Reading Beatriz Nascimento’s work
01:45:30
bottom of page